Thirty Years Later, Fargo Remains the Best and Most Beguiling Coen Bros Movie
Fargo: The Coen Brothers’ Masterpiece
So, picture this: it’s 2013, and film critic extraordinaire J. Hoberman is reviewing Inside Llewyn Davis. He throws down the gauntlet by declaring the Coen Brothers the supreme masters of ‘the art of contempt.’ I mean, talk about a bold statement! While other art rebels like Marcel Duchamp or Johnny Rotten just dipped their toes in the pool of disdain, the Coens cannonballed in and splashed everyone! It’s like watching a two-man band of brothers who get their kicks from toying with the characters they dream up. Remember Hoberman’s line about their work being a ‘comic theater of cruelty’? Genius, right? They’ve created this circus where even action figures seem battered and bruised, as if they’ve spent too much time under the glowing lights of suburbia.
The Death Toll is Rising
Fast forward to Fargo, released thirty years ago today. If you think it’s just another quirky flick with a little lightheartedness, think again! The bloodshed starts early, and by the end, you might need a scorecard to keep track of the body count. Our dear Carl Showalter (you know him as Steve Buscemi) gets blasted in the face and sent through a wood chipper—oh, the horror! A traffic cop meets a gruesome fate just for doing his job, and that’s just the warm-up act! Add in a couple of hapless bystanders and the housewife who took her last breath off-screen, and you’ve got quite the grim tale. Yet, what gets lost in all this carnage? The delightful Minnesota accents and the madness of “Minnesota Nice.”
Funny Accents, Serious Business
If you’ve only encountered Fargo through the lens of Saturday Night Live or The Simpsons, you might expect a folksy romp through the land of quirky characters. But oh, how wrong you’d be! Sure, the Coens love showcasing their home turf, and you can’t help but chuckle at the charming and polite demeanor of the locals. A classic scene has Marge interviewing sex workers, and it ends with a classic “Oh yah?” followed by a naive but sweet “Yah!” Keep laughing, folks; the film totally lets you in on the weirdness of life in Brainerd, Minnesota. The Coens didn’t forget to let us glimpse the richness of these characters’ lives, especially when Marge Gunderson is at the wheel.
Marge’s Beautiful Monologue
After all the chaos and messiness, picture our hero, Marge, tallying up the carnage. As she drives her captive Gaear Grimsrud, she reflects, “And for what? For a little bit of money?” She delivers this line with a kind of motherly bemusement, asserting there’s more to life than cash. In a world where folks have been blown away and decimated, her innocent belief in the goodness of life feels hilariously misplaced yet oddly poignant. It’s a reminder amidst the chaos; Marge, the lovable detective, is utterly baffled by the darkness surrounding her.
Snuggled Up in Life’s Chaos
But hang on—there’s a heartwarming mission brewing alongside all this carnage. In the film’s final moments, Marge’s husband Norm is feeling down for losing an art contest. It’s absurdly trivial compared to the grotesque events of the film, yet it’s precisely the kind of hilarity that reminds us of the absurdity in life: losing a stamp contest! But instead of getting bogged down, Marge cuddles up to Norm, comforting him that someday, that 3-cent stamp will save someone from running short! They gaze into a future filled with warmth, love, and the delightful expectation of new life. And yes, amidst the bone-chilling cold of Minnesota winters, they choose to embrace the delightful little moments.
The Bigger Picture
The warmth of their snug coupledom is a reminder that light persists even amidst darkness. This couple is far more than mere caricatures; they reflect the Coens’ brilliant abilities to craft characters who tackle life’s absurdities. Ack, sometimes they flub it completely like Llewyn Davis, and other times, they choose to cling to hope like the Gundersons. While laughter lingers, let’s agree that the Coens shine a light on the dignity of their characters, even in their worst moments. Let’s just say, if Marge Gunderson doesn’t make you snort with laughter and cheer, well, you might just have to check your pulse!